Troy McLeavey is dead. Armchair detectives may already have their suspicions, but the investigation is getting underway as Episode 3 opens.
Troy’s grief-stricken father Colin is practically catatonic, his son’s spirit having seemingly led him to his iPad, hidden in the cubby house for reasons unknown. Troy’s sister has a box of cash hidden in her room for apparently nefarious purposes. The police force begin questioning persons of interest, including resident bully Kobie, who was washing what appeared to be blood from a shirt in the first episode (which I’d like to think is a red herring because that would be an infuriatingly obvious solution), and Troy’s drug dealing uncle.
The beginnings of a darker underbelly were revealed in Episode 3. Troy’s boyfriend apparently gave a tip off about a suspect, the ever silent Viv seems to have her own suspicions, one of the investigators seems to be playing on both sides and Kobie apparently knows a lot more than he’s letting on.
However, the storyline which caused the most emotion for me is the fate of Nathan, who awakens handcuffed to a bed in a conversion camp, where his ghastly parents have banished him. The image of him literally being snatched up by masked intruders in the middle of the night may seem a bit farfetched at first viewing, but no, this is honestly what happens to a lot of “troubled” teens, especially in America. I don’t like to think about the horrors likely ahead of him, but at the same time I want to see him come out the other side. Kudos to writer/director Wayne Tunks for exploring this very taboo subject matter, and we’re only 3 episodes in.
The beauty of After Nightfall is that even though there’s a huge ensemble cast, they all feel real. We don’t know all that much about them yet, but the mystery is intriguing rather than frustrating. We aren’t in Lost territory, where the writers were just making it up as they went along. There’s a sense of purpose here, like the answers are tantalisingly close but not within grasp. Not yet anyway. There’s certainly a lot of subplots, but it’s told in such a way to never feel over saturated or pretentious. There’s no other way to put it. The writing in After Nightfall is simply masterful.
It’s a shame that episodes are only ten minutes long, but I suspect the purpose of this was to leave the viewers wanting more. In which case I say, mission freaking accomplished.